21 Jun

I want to stroll Tehran’s streets at night, like men can

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Fereshteh Ahmadi’s interview with The Guardian


Fereshteh Ahmadi, who has been a judge in a number of Iranian literary prizes, was born in the southern city of Kerman in 1972. She studied architecture at Tehran University and worked as an architect for some years before dedicating herself to writing. Her first collection of short stories, Everybody’s Sara, was published in 2004 and she has written two novels: The Forgetful Angel and The Cheese Jungle.

Like all Iranians, she practises a degree of self-censorship. Ahmadi says Iranian writers have mastered how to use metaphors and symbolism to get around restrictions. In a story featured in her collection Domestic Monsters, published last year, a group of men go up the hill to eat and drink, but there’s no mention of alcohol. Until someone throws up, a clue that strong drink was involved.

“We talk about something, but we mean something else. We’ve learned how to do this and our audience also gets it, the audience gets the clues,” she says.


She remembers an Iranian magazine journalist asking her about something she would like to do that she hasn’t done before. “I said I wanted to go for a stroll in Tehran in the middle of the night. For a man that is a strange wish, because he can do this. Not for a woman. I’ve never done it before – I really want to do it. I want to walk in the streets of Tehran at night at 1am, 2am to see who is still awake, how it feels, what’s happening in the city.”


Ahmadi is critical of how the outside world views Iran. “The world focuses on extremes in Iran, but people in Iran want to portray their inner stories, they want to talk about themselves, where I am in all of this,” she says. “When we want to know deeply about other people, we go and read their stories, watch their cinema but all these years, there has only been a focus on bold issues in Iran. That’s why people, their identity, their connections and their private lives that have similarities to lives in other parts of the world [are] forgotten in the middle of this. I think many of our writers are doing just that. They’re writing about themselves, they’re looking into their own identities.”


Read complete interview here 

15 Apr

Fereshteh Ahmadi granted residency at IACF

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Our 2015 featured writer Feresteh Ahmadi is writer in residence at the International Agatha Christie Festival in Torquay in early May and will take part in public events with the Plymouth Festival of Words and in Torquay. She will also speak at the Freeword Centre in London on May 18th 2017 discussing the influences of contemporary Iranian literature with the interviewer Saeed Kamali Dehghan – a staff journalist with the Guardian. The talk is co-presented by International Agatha Christie Festival with the support of the British Council.

15 Feb

Made in Denmark published in The Guardian

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On the subject of the travel ban, much of the rhetoric coming out of Trump’s administration has focused on the dangers posed by immigrants. This devastating but ultimately heartwarming story by Iranian writer Mohammed Tolouei, told from the point of view of a four-year-old, conveys to us what it is like from the other side, that may not be so readily apparent to those who’ve never been forced to flee their countries. To be reckoned with, above all, in any decision to migrate, is the pain of uprooting from one’s homeland. This short story marks the first of many in an extensive showcase we hope to bring you, spotlighting new writing—and new translations—from the seven countries Trump intends to ban.